Wednesday, September 24, 2008

Smile, breathe, and go slowly

I have been exploring my breathing. This is a huge area, so consider this article an introduction.

Breathing methods and practices are widespread and varied. Breathing can be automatic or controlled, and is widely believed to connect the body and the mind: Many people take a few deep breaths to help calm themselves; counting breaths is a popular meditative practice, as is observing one's breathing; Pranayama -- breath control -- is a significant part of yoga. Going in the other direction: If you start to panic you may find yourself taking shallower breaths, and possibly hyperventilating.

Specialized breathing techniques are also widespread in the martial arts. There are many different -- and conflicting! -- approaches to training and becoming aware of your breathing.

Caution: You do not want to mess up your breathing. Becoming aware of your breathing patterns in different situations would seem to be a reasonably benign step to take; forcing significant changes on yourself, more risky. Take care.

My approach to this topic consists of background reading, asking questions, and a degree of observation of myself and others.

Modes of breathing
There is more to breathing than inhalation and exhalation. Let's look at some of the different aspects.

I am aware of two very natural modes of breathing:
  1. Abdominal breathing: This is what babies and young children do when they rest on their backs. As they inhale, the abdomen expands; as they exhale, it contracts. By comparison, the chest does not rise and fall noticeably.
  2. Reverse breathing: When I cough -- or growl or kiai or sing (loudly) -- my abdomen expands during the accompanying exhalation. This is the exhalation part of reverse breathing. On the inhalation the lower abdomen contracts, but as with abdominal breathing, the chest does not dramatically inflate.
These are by no means the only possibilities. To take another example, if you always keep you stomach pulled in, neither of these modes will be available to you, and the expansion / contraction will be largely confined to your chest.

My take is that abdominal breathing is good and natural for relaxation, and reverse breathing for exertion.

Rather than consciously controlling these patterns, I simply try to be aware of them during training.

For example: In jiu-jitsu and judo classes we recover on our backs between warm-ups in a position similar to yoga's corpse pose, but with our eyes open and arms at right-angles to the torso. You can tell if you are doing abdominal breathing by feeling your belt tighten on the inhalation and loosen on the exhalation.

Nose or mouth?
A normal person can inhale and exhale through both the nose and mouth. Surely there is a situation in which each combination is appropriate. However, in the martial art styles that I practice we advocate inhalation through the nose and exhalation through the mouth, for training and self-defence. The question is why? I cannot be definitive, but
  • In-through-the-nose is generally slower and steadier than in-through-the-mouth, and the nasal hairs and passages provide a degree of filtering and warming of the incoming air.
  • Although out-through-the-nose is slow and steady -- hence good for relaxation -- out-through-the-mouth can also be slow and steady when you touch the tip of your tongue to the roof of your mouth, and I find that it is easier for the body to switch to reverse breathing when exhaling through the mouth. Certainly a kiai demands a mouth exhalation.
This is what I do in training, but at other times I find myself reverting to nasal inhalation while relaxing, and mouth inhalation during periods of intense exertion, and when I have a blocked nose!

Other pointers
Holding your breath is a good idea while diving, but not while taking impact. For example, in jiu-jitsu and judo we train to exhale when executing a breakfall. This is only natural: The air will be driven out anyway, so you do not want to fight it.

You really do not want to be struck while inhaling or holding your breath, so by extension having very apparent breathing is not good in combat against a sophisticated opponent.

Breathe through your feet!?

A helpful tip that I picked up from Philip Starr's book, Martial Mechanics, is handy when practicing stance training -- such as holding a horse stance -- for an extended period:

As you breathe, imagine that you are inhaling up from your feet into your abdomen, and exhaling the same way. More specifically, the point on your foot to focus on is the yongquan point (see left).

I find that this helps me to gently relax into the stance, helping me to release tension and sit more solidly. It also hints at the potential power of combining visualization techniques with breathing.

Other places to look
For self-exploration and observation:
  • Place your hands on various parts of your torso -- stomach, chest, front, back, sides -- while engaging in different activities and motions.
  • How does your breathing in-flow and out-flow coordinate with different physical actions?
Further reading:
  1. Philip Starr's Martial Mechanics (mentioned above) has a good chapter on reverse breathing and some of its applications in the Martial Arts.
  2. There are many Feldenkrais lessons that include gently explorations of breathing, and there practice should lead to breathing that adapts well to the situation. I would start with Feldenkrais's Awareness Through Movement or Shafarman's more accessible Awareness Heals.
  3. Systema, the Russian martial art, is built on explicit breathing practices. See Vasiliev's Let Every Breath... Secrets of the Russian Breath Masters.
  4. Lastly but not leastly, for a book that explores the function, practice and anatomical basis of breathing, look no further than Calais-Germain's amazing Anatomy of Breathing.
Finally
The title of this post -- Smile, breathe, and go slowly -- is a quote from the highly quotable (and readable) Buddhist monk Thích Nhất Hạnh. Words to live by.

And remember, keep breathing!

Tuesday, September 09, 2008

There's more to it than that

Quick, think of a particular martial arts movement. Picture it. Is it:
  1. A throw
  2. A lock
  3. An escape
  4. A strike to a vital point
  5. A block
  6. A trap
  7. An exercise to enhance your health
Hopefully, it will be most of those things. The obvious application of a technique -- at least in a sophisticated martial art -- is just the tip of the iceberg.

It is good to learn the choreography.
It is good to figure out additional applications.
It is good to identify connections to other techniques.
It is very good to continue looking.

Most importantly: Keep practicing.

Saturday, August 30, 2008

Some Notes on Come-along Techniques

The come-along techniques of Jiu-Jitsu form part of the Restraint and Control syllabus. The come-alongs allow you to not only restrain and control an attacker, but also to escort him out the door: "come-along", "come-along".

A certain amount of pain leads to compliance, but part of the beauty of these techniques is that the pain goes away once they are released: We take the recipient into the region of pain that precedes injury, but work towards a level of skill where effectiveness does not require damage.

The various come-along techniques have different characteristics, leading to their suitability in different situations.

A come-along armbar

For example: The come-along armbar (pictured) targets the elbow joint, requires two hands to apply, and obliges you to stand to the side of the recipient. As well as subduing in place and leading the recipient along, this technique leads nicely into throws and takedowns.

As another example: The pistol grip technique (not pictured) allows you to not only compel the recipient to go to the ground, but also to stand up again.

Comparing the 14 come-alongs (not all of which are labeled explicitly) of the restraint-and-control syllabus I noticed certain patterns emerging:
  • 3 primarily target the elbow joint, 7 the wrist, 3 the shoulder, 1 pure pressure point
  • 11 comealongs are applied from the side; 3 from behind
  • Although "two-hands for beginners" is sound advice, several of the come-alongs can be sustained with one hand
Having learned the basis of a family of techniques, a good way to deepen your knowledge is to then make both an in-depth study of each technique and also examine commonalities and differences. For each technique:
  • How can it be effectively modified for use against attackers of different shapes and sizes?
  • Against which common attacks can it be used as part of a realistic self-defense response?
  • If I fail on an attempt to apply it, what back-up techniques can I easily flow into?
  • How does the technique interfere with my partner's balance and alignment?
  • What are the particular advantages and disadvantages of this technique?
I could list some more of my findings, but you will learn far far more if you make your own notes.

Later this year I plan to explore some of these questions with my students, and together devise a kata of come-alongs.

Introductory Self-Defence Class: September 10 2008

I have been invited to conduct an introductory self-defence class at Monash Caulfield on Wednesday, September 10. I have accepted the invitation.
  • If you are a Federation coloured belt and are available in the early evening and are interested in acting as an assistant, please send me an email.
  • This event is already over-subscribed, so if it sounds great, why not come along to one of my weekly classes instead?
Here is an edited version of the draft promotional material:


[Host Organization] and
Monash University Jiu-Jitsu Club

present

Self-Defence Night

Come along and learn the basics of self-defence in a safe, friendly and fun class.

Where and when:
[Time and location]

What to wear

Loose comfortable clothing: T-shirt and tracksuit pants are ideal.

What to expect
The class will consist of:
* A short talk about basic self-defence
* Warm exercises (including games)
* Instruction and practice in some escapes from simple holds and grabs
* Q&A and demonstration of some more advanced Jiu-Jitsu techniques
* Cool-down

About Jiu-Jitsu
Jiu-jitsu was the unarmed fighting art of the Japanese Samurai -- the warriors of medieval Japan. If a Samurai lost or broke his sword in battle, he resorted to the striking and grappling techniques of Jiu-jitsu to defeat his enemy.

The term Jiu-jitsu literally means 'gentle art'. Jiu-jitsu emphasizes the efficient use of one's body. Good technique rather than brute strength is used to deliver effective self-defence.

About the Monash University Jiu-jitsu Club
The Jiu-Jitsu club offers weekly classes at both Caulfield and Clayton emphasising:
  • Acquisition and perfection of martial art technique
  • Realistic self-defence skills
  • Development of all-round fitness
  • Personal and social development
in a safe and supportive environment. It is open to the Monash and local communities.

About the instructor
Sensei Dan Prager is a 2nd degree black belt with over 15 years experience in Jiu-Jitsu
as well as other martial arts. Dan is the founding instructor of the Caulfield branch of the Monash University Jiu-Jitsu Club. He blogs about Martial Arts and Modern Life.

Tuesday, August 26, 2008

They come; they go

One of the distinctive things about teaching at a university martial arts club is that there are students who -- having completed their studies -- move away to continue onto the next phase of their lives.

Many of the members of the Monash Jiu-jitsu Club stay with the club following graduation, but a significant proportion of oversea students choose (or are obliged) to return home. One of the nice aspects of this is that one gains friends in other countries. On the other hand I miss seeing them in class.

Here is a message of appeciation from Leonard, who will be returning to his native Singapore in a few weeks:
Hello Sensei,

... I have been very fortunate to have stumbled upon a federation with such good methods of instruction and active participants. It will be hard to find another association that can compare, it has definitely enlightened me on the journey that is martial arts, and given me a finer appreciation of finding a discipline that one can relate to.
Best of luck to Leonard on his journey in the martial arts and in life.