Thursday, December 04, 2008

Mastery and Practice

When Pablo Casals, the cellist, was ninety-one years old, he was approached by a student who asked, "Master, why do you continue to practice?" Casals replied, "Because I am making progress." [1]
As we learn it is natural to hit plateaus from time to time. Through mindful practice we can progress through the plateaus, and onwards up the mountain.

The Master brings patience, consistency and perceptiveness to the journey.


[1] Norman Doidge, The Brain that Changes Itself, page 258, my favorite non-fiction book for 2008.

Thursday, October 30, 2008

What appeals to you about Jiu-Jitsu?

Here is a blurb that I have submitted for the Monash University Club Handbook. Let me know which bits appeal to you, what you think is missing, and whatanything jars:



About the Monash University Jiu-jitsu Club

The Jiu-Jitsu club offers weekly classes at both Caulfield and Clayton emphasizing:

  • Acquisition and perfection of martial art technique
  • Realistic self-defence skills
  • Development of all-round fitness
  • Personal and social development

in a safe and supportive environment. It is open to the Monash and local communities and is suitable for both women and men, small and large.

About Jiu-Jitsu
Jiu-jitsu was the unarmed fighting art of the Japanese Samurai – the warriors of medieval Japan. If a Samurai lost or broke his sword in battle, he resorted to the striking and grappling techniques of Jiu-jitsu to defeat his enemy.

The term Jiu-jitsu literally means 'gentle art'. Jiu-jitsu emphasizes the efficient use of one's body. Good technique rather than brute strength is used to deliver effective self-defence.

The core elements of our style of Jiu-Jitsu are:

  • Throwing techniques
  • Restraint and control: Joint-locking and other arresting techniques
  • Ground-fighting
  • Pressure point striking
  • Practice against realistic common attacks

Club web-site

http://monash.jiujitsu.org.au


Contacts

Clayton

  • Sensei Tony Papenfuss, 4th dan black belt, and head instructor
  • papenfuss@gmail.com
  • 0419 894 449


Caulfield



Friday, October 17, 2008

Evening up

In sports a constant problem is the mismatch. One competitor is stronger, bigger, faster, or more skillful than the other. To make things interesting sex, weight, and/or age and experience categories are often used, and sometimes a handicapping system is introduced.

In competitive training in the martial arts the mismatch is also a problem, for identical reasons, but it can also be an asset. In competitive practice -- such as judo's groundwork randori -- you can gain much more if your main objective is to learn rather than to win at all costs.

Let's say that you are big and strong, and your opponent is not. You have the option of using all your strength and weight to literally crush your opponent. That is the short road to victory, but a very long road to learning. So don't do it! Put away that advantage; wind it back to the same level (or just above) that of your partner and work on other aspects: Movement, technique, sensitivity.

In this way, when you go up against someone bigger and stronger than you (for example), you will have developed other sides to your game. The size and strength will still be there, but overall you will be more even.

The same advice applies to mis-matches in knowledge. If your arsenal of techniques is vastly greater than your opponent's, you should limit your repertoire of techniques. Concentrate on delivering a few techniques with finesse (for example), rather than relying heavily on the surprise factor of a technique that your opponent has never seen.

* * *

Even when I have the opportunity to evenly match students I still like to mix things up, creating mis-matches as well as even matches between partners. Why? Because having experienced people work with beginners is safer than beginner v. beginner, provides better learning for the beginner, and gives the more experienced partner freedom to experiment; smaller people should be exposed to larger partners as preparation for self-defence; brutes need to learn to be gentler, etc. And we all should practice with lots of different people.

In actual self-defence don't hold anything back, but in training learn today so that you can win (or survive) tomorrow.

To summarize: In competitive practice we need to even things up, and by doing so in a creative we can create opportunities for significant learning and development.

Wednesday, September 24, 2008

Smile, breathe, and go slowly

I have been exploring my breathing. This is a huge area, so consider this article an introduction.

Breathing methods and practices are widespread and varied. Breathing can be automatic or controlled, and is widely believed to connect the body and the mind: Many people take a few deep breaths to help calm themselves; counting breaths is a popular meditative practice, as is observing one's breathing; Pranayama -- breath control -- is a significant part of yoga. Going in the other direction: If you start to panic you may find yourself taking shallower breaths, and possibly hyperventilating.

Specialized breathing techniques are also widespread in the martial arts. There are many different -- and conflicting! -- approaches to training and becoming aware of your breathing.

Caution: You do not want to mess up your breathing. Becoming aware of your breathing patterns in different situations would seem to be a reasonably benign step to take; forcing significant changes on yourself, more risky. Take care.

My approach to this topic consists of background reading, asking questions, and a degree of observation of myself and others.

Modes of breathing
There is more to breathing than inhalation and exhalation. Let's look at some of the different aspects.

I am aware of two very natural modes of breathing:
  1. Abdominal breathing: This is what babies and young children do when they rest on their backs. As they inhale, the abdomen expands; as they exhale, it contracts. By comparison, the chest does not rise and fall noticeably.
  2. Reverse breathing: When I cough -- or growl or kiai or sing (loudly) -- my abdomen expands during the accompanying exhalation. This is the exhalation part of reverse breathing. On the inhalation the lower abdomen contracts, but as with abdominal breathing, the chest does not dramatically inflate.
These are by no means the only possibilities. To take another example, if you always keep you stomach pulled in, neither of these modes will be available to you, and the expansion / contraction will be largely confined to your chest.

My take is that abdominal breathing is good and natural for relaxation, and reverse breathing for exertion.

Rather than consciously controlling these patterns, I simply try to be aware of them during training.

For example: In jiu-jitsu and judo classes we recover on our backs between warm-ups in a position similar to yoga's corpse pose, but with our eyes open and arms at right-angles to the torso. You can tell if you are doing abdominal breathing by feeling your belt tighten on the inhalation and loosen on the exhalation.

Nose or mouth?
A normal person can inhale and exhale through both the nose and mouth. Surely there is a situation in which each combination is appropriate. However, in the martial art styles that I practice we advocate inhalation through the nose and exhalation through the mouth, for training and self-defence. The question is why? I cannot be definitive, but
  • In-through-the-nose is generally slower and steadier than in-through-the-mouth, and the nasal hairs and passages provide a degree of filtering and warming of the incoming air.
  • Although out-through-the-nose is slow and steady -- hence good for relaxation -- out-through-the-mouth can also be slow and steady when you touch the tip of your tongue to the roof of your mouth, and I find that it is easier for the body to switch to reverse breathing when exhaling through the mouth. Certainly a kiai demands a mouth exhalation.
This is what I do in training, but at other times I find myself reverting to nasal inhalation while relaxing, and mouth inhalation during periods of intense exertion, and when I have a blocked nose!

Other pointers
Holding your breath is a good idea while diving, but not while taking impact. For example, in jiu-jitsu and judo we train to exhale when executing a breakfall. This is only natural: The air will be driven out anyway, so you do not want to fight it.

You really do not want to be struck while inhaling or holding your breath, so by extension having very apparent breathing is not good in combat against a sophisticated opponent.

Breathe through your feet!?

A helpful tip that I picked up from Philip Starr's book, Martial Mechanics, is handy when practicing stance training -- such as holding a horse stance -- for an extended period:

As you breathe, imagine that you are inhaling up from your feet into your abdomen, and exhaling the same way. More specifically, the point on your foot to focus on is the yongquan point (see left).

I find that this helps me to gently relax into the stance, helping me to release tension and sit more solidly. It also hints at the potential power of combining visualization techniques with breathing.

Other places to look
For self-exploration and observation:
  • Place your hands on various parts of your torso -- stomach, chest, front, back, sides -- while engaging in different activities and motions.
  • How does your breathing in-flow and out-flow coordinate with different physical actions?
Further reading:
  1. Philip Starr's Martial Mechanics (mentioned above) has a good chapter on reverse breathing and some of its applications in the Martial Arts.
  2. There are many Feldenkrais lessons that include gently explorations of breathing, and there practice should lead to breathing that adapts well to the situation. I would start with Feldenkrais's Awareness Through Movement or Shafarman's more accessible Awareness Heals.
  3. Systema, the Russian martial art, is built on explicit breathing practices. See Vasiliev's Let Every Breath... Secrets of the Russian Breath Masters.
  4. Lastly but not leastly, for a book that explores the function, practice and anatomical basis of breathing, look no further than Calais-Germain's amazing Anatomy of Breathing.
Finally
The title of this post -- Smile, breathe, and go slowly -- is a quote from the highly quotable (and readable) Buddhist monk Thích Nhất Hạnh. Words to live by.

And remember, keep breathing!

Tuesday, September 09, 2008

There's more to it than that

Quick, think of a particular martial arts movement. Picture it. Is it:
  1. A throw
  2. A lock
  3. An escape
  4. A strike to a vital point
  5. A block
  6. A trap
  7. An exercise to enhance your health
Hopefully, it will be most of those things. The obvious application of a technique -- at least in a sophisticated martial art -- is just the tip of the iceberg.

It is good to learn the choreography.
It is good to figure out additional applications.
It is good to identify connections to other techniques.
It is very good to continue looking.

Most importantly: Keep practicing.