Evolutionary movement

Here's the first of an elegant three-part series in which the presenter, Simon Thakur, starts with small perturbations of the spine and expands into a swathe of whole-body movements:

Well worth a look, especially if you are interested in improving your overall body awareness and quality of movement.

An amazing transformation

I can't imagine watching this and not being inspired:

Do try this at home!

Among yoga practitioners there is the notion of a home practice. You might get to class once or twice a week, but ideally you practice at home every day, or -- more realistically -- on most days.

If you practice a martial art with solo katas (also known as sets, forms or patterns) -- such as karate or kung fu -- you can always practice those by yourself, but what about styles that rely primarily on partner practice: jiu-jitsu, judo, aikido etc.? Here are some ways you can practice at home:

1. Most styles have some solo elements: For example, in my jiu-jitsu classes most of the breakfalling exercises are performed individually (although as a group). Many of these require mats -- another obstacle to home practice -- but many do not. Try those ones at home. Benefits: These sorts of drills develop coordination and physical conditioning appropriate to the art.
2. Partner techniques can be practiced within an imaginary partner: You've practiced a technique class. Practice at home, but imagine your partner. In karate or kung fu the challenge is often to figure out the application of a solo form. In partner-based styles we can go the other way. You can practice against different-sized phantom opponents, invent combinations, etc. For my students I highly recommend practicing the eight movements of kuzushi in this way (video). Benefits: Improved fluency, strengthens the imagination, etc.
3. Partner techniques can be visualized without moving: This one borders on some forms of meditation, and can be practiced while standing, sitting in seiza, on the train, as a cure for insomnia. Visualize an entire technique, imagining the movements in as much detail as you can. Feldenkrais had a nice idea in his Awareness through Movement technique that we can steal: Practice an asymmetric technique several times in its right-handed version with an imaginary partner. Then do a few reps visualizing the left-handed version without moving. Benefits: Even stronger mental training. Improves your adaptability. Learn to transfer skills drilled on one side to the other with minimal physical practice.
4. Find the fundamental movements: Applications in the martial arts can be quite elaborate, but there are movements that come up over and over. By practicing with your imaginary partner these should become more and more apparent. Isolate them and practice them, visualizing the various applications. This kind of practice can start to look a bit like qigong. Benefits: Most of the above, plus gain deeper insight into your martial art.

Not quite what I mean, but impossible to resist:

Colin "Bomber" Harris wrestles himself

And furthermore ...

Making a go of this kind of home practice is a great step towards incorporating martial arts into the rest of your life. Doing a short session before work (or whatever) is a great way to start the day, and I personally try to run through (in my case) a hung kuen kung fu set a couple of times during my lunch break and again in the evening.

I'm not advocating hours and hours of daily solo practice, but rather 30 minutes to an hour, perhaps spread through the day. Not only is this a very physically healthy thing to do, it has meditative benefits, and will help you progress in your chosen martial art. It increases your "flying hours" and, if you properly engage your mind, questions should arise that can be answered the next time you go to class, through further practice (with a real partner).

Smile, breathe, and go slowly

I have been exploring my breathing. This is a huge area, so consider this article an introduction.

Breathing methods and practices are widespread and varied. Breathing can be automatic or controlled, and is widely believed to connect the body and the mind: Many people take a few deep breaths to help calm themselves; counting breaths is a popular meditative practice, as is observing one's breathing; Pranayama -- breath control -- is a significant part of yoga. Going in the other direction: If you start to panic you may find yourself taking shallower breaths, and possibly hyperventilating.

Specialized breathing techniques are also widespread in the martial arts. There are many different -- and conflicting! -- approaches to training and becoming aware of your breathing.

Caution: You do not want to mess up your breathing. Becoming aware of your breathing patterns in different situations would seem to be a reasonably benign step to take; forcing significant changes on yourself, more risky. Take care.

My approach to this topic consists of background reading, asking questions, and a degree of observation of myself and others.

Modes of breathing

There is more to breathing than inhalation and exhalation. Let's look at some of the different aspects.

I am aware of two very natural modes of breathing:

1. Abdominal breathing: This is what babies and young children do when they rest on their backs. As they inhale, the abdomen expands; as they exhale, it contracts. By comparison, the chest does not rise and fall noticeably.
   
2. Reverse breathing: When I cough -- or growl or kiai or sing (loudly) -- my abdomen expands during the accompanying exhalation. This is the exhalation part of reverse breathing. On the inhalation the lower abdomen contracts, but as with abdominal breathing, the chest does not dramatically inflate.
   

These are by no means the only possibilities. To take another example, if you always keep you stomach pulled in, neither of these modes will be available to you, and the expansion / contraction will be largely confined to your chest.

My take is that abdominal breathing is good and natural for relaxation, and reverse breathing for exertion.

Rather than consciously controlling these patterns, I simply try to be aware of them during training.

For example: In jiu-jitsu and judo classes we recover on our backs between warm-ups in a position similar to yoga's corpse pose, but with our eyes open and arms at right-angles to the torso. You can tell if you are doing abdominal breathing by feeling your belt tighten on the inhalation and loosen on the exhalation.

Nose or mouth?

A normal person can inhale and exhale through both the nose and mouth. Surely there is a situation in which each combination is appropriate. However, in the martial art styles that I practice we advocate inhalation through the nose and exhalation through the mouth, for training and self-defence. The question is why? I cannot be definitive, but

• In-through-the-nose is generally slower and steadier than in-through-the-mouth, and the nasal hairs and passages provide a degree of filtering and warming of the incoming air.
• Although out-through-the-nose is slow and steady -- hence good for relaxation -- out-through-the-mouth can also be slow and steady when you touch the tip of your tongue to the roof of your mouth, and I find that it is easier for the body to switch to reverse breathing when exhaling through the mouth. Certainly a kiai demands a mouth exhalation.

This is what I do in training, but at other times I find myself reverting to nasal inhalation while relaxing, and mouth inhalation during periods of intense exertion, and when I have a blocked nose!

Other pointers

Holding your breath is a good idea while diving, but not while taking impact. For example, in jiu-jitsu and judo we train to exhale when executing a breakfall. This is only natural: The air will be driven out anyway, so you do not want to fight it.

You really do not want to be struck while inhaling or holding your breath, so by extension having very apparent breathing is not good in combat against a sophisticated opponent.

Breathe through your feet!?

A helpful tip that I picked up from Philip Starr's book, Martial Mechanics, is handy when practicing stance training -- such as holding a horse stance -- for an extended period:

As you breathe, imagine that you are inhaling up from your feet into your abdomen, and exhaling the same way. More specifically, the point on your foot to focus on is the yongquan point (see left).

I find that this helps me to gently relax into the stance, helping me to release tension and sit more solidly. It also hints at the potential power of combining visualization techniques with breathing.

Other places to look

For self-exploration and observation:

• Place your hands on various parts of your torso -- stomach, chest, front, back, sides -- while engaging in different activities and motions.
  
• How does your breathing in-flow and out-flow coordinate with different physical actions?
  

Further reading:

1. Philip Starr's Martial Mechanics (mentioned above) has a good chapter on reverse breathing and some of its applications in the Martial Arts.
2. There are many Feldenkrais lessons that include gently explorations of breathing, and there practice should lead to breathing that adapts well to the situation. I would start with Feldenkrais's Awareness Through Movement or Shafarman's more accessible Awareness Heals.
   
3. Systema, the Russian martial art, is built on explicit breathing practices. See Vasiliev's Let Every Breath... Secrets of the Russian Breath Masters.
   
4. Lastly but not leastly, for a book that explores the function, practice and anatomical basis of breathing, look no further than Calais-Germain's amazing Anatomy of Breathing.
   

Finally
The title of this post -- Smile, breathe, and go slowly -- is a quote from the highly quotable (and readable) Buddhist monk Thích Nhất Hạnh. Words to live by.

And remember, keep breathing!

What's Om got to do with it?

The popular image of meditation goes something like this:

Seated in lotus position, eyes closed, hands forming esoteric signs, the adept repeats the mantra Om mani padme hum and seeks oneness with the Universe.

This all looks and sounds very passive and peaceful (and more than a bit New Age); almost the exact opposite of the stereotype of martial arts as active, violent and blood-thirsty.

But there is more to meditation than passivity and navel-gazing, and there is more to martial arts than beating people up. A significant component of meditation is a state of mind that is essential to the mental side of martial arts, and one that is of great value in everyday life.

So I hope you will join me on a brief tour on the nature and relationship of meditation to the martial arts:

What is meditation?
In reality, the meditative state is almost the exact opposite of being oblivious or pre-occupied. My working definition is:

A state of relaxed concentration on the reality of the present moment.

In other words, it is about being really awake, alive and tuned in to what is going on in and around you. I consider it to be the same as being "in the zone" or in a state of flow.

Anything that leads you to this state can be viewed as a form of meditation.

Note: While it is true that there are many types and techniques of meditation with varying aims and extensions, I take the above aspect as the common foundation. (At least, it is the aspect that I am going to stick to for the purposes of this article!)

Martial arts = Moving meditation
Clearly, in a life-and-death situation, such as being under attack, or needing to take quick action to save someone else in danger, being relaxed, aware, concentrated and undistracted is gold.

So rather than getting a huge adrenalin rush -- the fight-or-flight response -- and going berserk, the martial artist trains to enter a meditative state in which his (or her) every action is swift, accurate and efficient.

The Samurai called this state mushin or no mind, and it is characterized by the absence of fear, anger, pride and cogitation; a feeling of calmness and clarity; and the ability to act swiftly and decisively.

For this reason, any form of martial arts training which seeks to train the mind in this respect can be seen as a form of moving meditation, albeit one with extremely practical application!

So where the practitioner of a sitting meditation technique seeks to extend the meditative state into day-to-day life, the martial artist trains her- or him-self to be mentally ready for life's toughest challenges.

Explicit connections
Legend has it that the Indian monk Bodhidharma brought Zen Buddhism to 6th Century China. Furthermore, he is alleged to have introduced the then-puny monks of the Chinese Shaolin Temple in martial arts techniques to build them up physically and mentally to be able to withstand the rigors of hard-core meditation practice!

Similarly, the traditional aim of hatha yoga is not to become a contortionist and run off and join the circus, but to prepare oneself for advanced meditation techniques.

It is possible to regard meditation as a useful practice to "bolt on" to one's martial art, as a somewhat esoteric form of cross-training, but I believe that it is much more integral than that.

The Inner Game
The most accessible book on meditation that I have found is Tim Gallwey's classic, The Inner Game of Tennis. Without mentioning the M-word, Gallwey gives a compelling introduction to what are effectively moving meditation techniques that work on the tennis court.

Gallwey starts by asking a perceptive question about self-talk: When you criticize yourself for mis-hitting a shot, who is talking to whom?

Side-stepping more loaded labels such as mind/body, left-brain/right-brain, conscious/unconscious, Gallwey calls the vocal critic Self 1, and the listener Self 2. He suggests that Self 1 is a bit like an incompetent boss, while Self 2 is like a harried, but potentially highly able underling. Gallwey's introductory techniques aim to get Self 1 off Self 2's back by giving him something more useful to do.

Gallwey's classic introductory exercise is called "bounce-hit", in which the player is asked to say out loud "bounce" when the ball bounces on his or her side of the court, and "hit" when the racquet strikes the ball. This gives Self 1 something to do actively (say "bounce" or "hit"), while incidentally providing useful sensory input to Self 2 (about the location of the ball).

As a meditation, bounce-hit forces the individual to stop worrying about the past or future and instead focus on the location of the ball right now. It is a great exercise and most people get immediate results. (Maintaining the improvements as Self 1 starts to get self-congratulatory is the next challenge!)

I have personally adapted some of Gallwey's other techniques for teaching martial arts, I think with some success, but that's a subject for another article or -- publishers please note -- maybe part of a book. ;-)

Conclusion
Martial arts, meditation, yoga, excellence in sports, flow: If you are deeply interested in one, research the others. There is a common core that cuts through the lot.

Further notes on Gallwey and the Inner Game
Translating Inner Game techniques to other areas is not all that easy, even for Gallwey! There are several sequels to The Inner Game of Tennis including the follow-up Inner Tennis and the variations: The Inner Games of Golf / Skiing / Music and even Work. However -- for my money -- the original book is the best. (Interestingly, the current boom in life-, business- and executive-coaching has its origin with Gallwey.)

Going in the other direction, Gallwey seems to have derived his techniques from particular Yogic teachings brought to the USA by controversial Indian "guru" Prem Sawat (also known as Maharaji). The consensus seems to be that the techniques taught are real enough, but Sawat himself gets mixed reviews.